The process that underpins my work is that of drawing and the construction and reconstruction of objects.

I generate a series of narratives, taking as my starting point the stories and personal experiences through which I explore the world around me. Driven by an inclination towards and concern about understanding my body in light of the intimate and the feminine, I begin with a series of preliminary investigations, in which I make great leaps, building and rebuilding objects, which eventually dissolve.

I consistently referred and still today address my body as site from which all of experiences originate, and by approaching it. I build different life systems functioning as referents to the feminine world. In earlier projects I also spoke of the physical body as a container but also as fragmented surface dislocated into electronic circuits and presented in objects which became the indicator of the presence.

In 2016, I was part of a group of selected artists which participated in a workshop titled “La Naturaleza del Cuerpo”. This experience lead to me to introduce the body as an entity connecting the two-dimensional work with the viewer. To understand my own physicality within a complex repetition of gestures to create large scale drawings, allowed me simultaneously to access a particular and personal experience with time and its unique relationship with the action of drawing.

“Infinito” (2018), the largest project within my practice, is the result of three intense years of research where repetition and movement are used to elaborate an intricate visual/graphic vocabulary. Due to the scale of the work, the accumulation of gestures, becomes either a landscape or an augmented view of a micro-organism surrounded by empty space or white areas, that metaphorically speaking, allow the viewer to travel between two related worlds: Topography and biology.